Elisabetta Benassi DAY’S END, 2000-01Video installation: stainless steel, plywood, wood, VCR, video projector, back-projection screen, two loudspeakers, UV lamp, neon, videotape Beta Video SP PAL Color Stereo Sound, 2′ 30″ (loop); cm. 230 x 170 x 470Inside a stainless steel structure is back-projected a video filmed in the New York Empire State Building. The images show the interior of an elevator (on whose proportions is built the steel structure) going
THOMAS ELLERTHE Thomas Eller, born in Coburg (Germania), lives and works in New York. This exhibition will present works that unsettle the visitor at the moment of his first encounter of the objects, as they visually burst out of proportion into gigantic measures. The objects in the focus of attention are of every-day life quality, usually recognizable in their own context and dimension. The identity of objects normally is being
Daniela DeLorenzo, a florentine artist, will present a photographic work concerned with the issue of identity. In this series of five self-portraits the absence of the face creates an estranging, distancing moment of perception. Departing from movements like sudden turns of the head, like when one is being distracted by something (this at least is what the title of this body of works suggests), time is either expanded to an
Test of an article translated.